On July 21, 2023, the fusion of two movies ignited the box office atmosphere. Tonight, they go head-to-head one last time as the movie industry continues to reel from the nuclear fallout of last summer’s strikes.
It makes sense that Barbie and Oppenheimer are so popular given that Hollywood, like the titular characters, is also suffering from a bad case of existential dread. The threat of an IATSE strike looms large like Edward Teller’s H-Bomb and streaming services are merging faster than the animals in Godwin Baxter’s menagerie.
But it would be idiotic to call the Hollywood Elite a group of Poor Things. From a consumer perspective, the long term outlook for content is promising. With the sweet success of Wonka and Dune Part Two cementing Denis Villeneuve as the sci-fi genre’s Lisan al Gaib, it’s clear that audiences will respond to fresh young talent, weird concepts, and imaginative storytelling. Whether the studios learn from this or if fifteen years from now I’m here writing about Barbie X: The Ken Saga and Dune Part 8: Rise of the Sand Beasts remains to be seen. But a changing of the guard is not a bad thing. We have enough super hero movies. It’s okay to let something new take the stage.
But this blog isn’t about dissecting the anatomy of Hollywood’s fall. It’s about discussing whether Justine Triet’s Anatomy of a Fall has what it takes to hand Sandra Hüller a surprise Oscar. If J.A. Bayona has bitten off more than he could chew with Society of the Snow or if it could surprise us all for Best International Feature. Or if somehow Wes Anderson can win his first Oscar despite Asteroid City becoming his first non-anthology feature to miss a nomination since 2007.
Most of all, it is about determining just how high Christopher Nolan’s Oppenheimer will fly. While Best Picture seems the surest thing since 1997’s Titanic, several other contentious categories are up for grabs.
For the last 24 years, a movie that garnered the most nominations took home Best Picture 41% of the time and won the most awards of the evening 66% of the time.
Oppy's Odds
In some cases, the movie with the most awards never even stood a shot at Best Picture. In 2007, Dreamgirls lost out on the most awards to The Departed and was not even nominated for best picture. Most recently, there was a three-year stretch where the most nominated movie missed out on Best Picture and best haul (2019’s Joker, 2020’s Mank, and 2021’s The Power of the Dog.
But Oppenheimer is not Dreamgirls. It is a juggernaut. And we will all be witness to a night of domination not seen since…well, since Everything, Everywhere last year.
I also think there will be some love to go around, though not enough to stave off the headlines tomorrow about how Barbie did not win any major awards. Among the Best Pic nominees, look for Past Lives and American Fiction to get shut out.
Before the picks, here is my annual list of the top 10 movies nominated at this year’s Oscars (BP noms in bold). I wasn’t able to really dive into the feature docs and Int’l films this year, but of the 30 films I saw here is what I enjoyed:
Oppenheimer
The Holdovers
Maestro
Barbie
Society of the Snow
Past Lives
The Zone of Interest
American Fiction
The Last Repair Shop (Documentary Short)
Poor Things
But on to the predictions!
Best Director
Will Win: Christopher Nolan (Oppy)
Should Win: Christopher Nolan (Oppy)
Confidence: I’m 100% Sure
A moment white dudes who grew up in the 2000s have been waiting a long time for. From the second I turned to my friends and told them they didn’t like Inception because they didn’t understand it, I knew this day would come and that it would be glorious. I will bathe in the light of this achievement as if it were my own. Fuck you, Pat. Inception rocks.
Best ACTOR
Will Win: Cillian Murphy (Oppy-2)
Should Win: Cillian Murphy (Oppy)
Confidence: I’m 75% Sure
A Paul Giamatti upset is not out of the question, but after Murphy got the win at BAFTA, SAG, and the Golden Globes, I can’t see it any other way.
Best ACTRESS
Will Win: Lily Gladstone (Killers of the Flower Moon)
Should Win: Sandra Hüller (Anatomy of a Fall with a Zone of Interest kicker)
Confidence: I’m 75% Sure
The only thing Flower Moon killed was my buzz. A disappointing, privileged take on the text that sits less and less well with me over time, but there is something poetic about Lily Gladstone being the only person to take home an award for this slog. If Emma Stone pulls an upset over Gladstone it will be an injustice.
Best Supporting ACTor
Will Win: Robert Downey Jr. (Oppy-3)
Should Win: Robert Downey Jr. (Oppy)
Confidence: I’m 100% Sure
His character may have lost the Senate, but tonight a jury of his peers will vote him into the winner’s circle.
Best Supporting ACTress
Will Win: Da’Vine Joy Randolph (The Holdovers)
Should Win: Da’Vine joy Randolph (The Holdovers)
Confidence: I’m 100% Sure
More like Divine.
Best Original Screenplay
Will Win: Anatomy of a Fall
Should Win: The Holdovers
Confidence: Dart Throw
Like it or leave it, Anatomy was a masterclass in subtext. I personally felt like the way The Holdovers connected with audiences deserves some recognition, but we all know the screenplay categories are the consolation prizes for nominees who aren’t getting enough love elsewhere.
Best Adapted Screenplay
Will Win: Oppy-4
Should Win: Oppy
Confidence: Dart Throw
Let’s get the messy part out of the way: Barbie is not even in the running. This is between Oppenheimer and American Fiction. A.F. seems to have picked up some momentum this month but I am going against the consensus.
Best ANIMATED FEATURE
Will Win: Spider-Man: Across the Spider-Verse
Should Win: Spider-Man: Across the Spider-Verse
Confidence: I’m 100% Sure
Feels like this movie came out twenty years ago.
Best International FEATURE
Will Win: The Zone of Interest
Should Win: The Zone of Interest
Confidence: I’m 100% Sure
When has an international movie ever been nominated for Best Picture and not taken home this award? It isn’t often. Need to show some love for Society of the Snow though, a fantastic piece of moviemaking.
Best Documentary FEATURE
Will Win: 20 Days in Mariupol
Should Win: 20 Days in Mariupol
Confidence: I’m 75% Sure
Sad stuff.
Best Documentary Short
Will Win: The ABCs of Book Banning
Should Win: The Last Repair Shop
Confidence: Dart Throw
One of the hardest to predict. Both really resonated with the audience at my screening of the Doc Shorts, but ABC makes a political statement that I think will inspire voters to give it the nod. Last Repair Shop was better on almost every other level, but both are worth watching.
Best Live Action Short
Will Win: The Wonderful Story of Henry Sugar
Should Win: The Wonderful Story of Henry Sugar
Confidence: I’m 75% Sure
Wes Anderson and Christopher Nolan both receiving their first directing Oscars on the same night? The Film Nerd’s heart grew three sizes that day.
Best Animated Short
Will Win: War is Over!
Should Win: Can’t say for sure
Confidence: I’m 75% Sure
Didn’t see any of these, so had to do some research. This seems the overwhelming favorite.
Best Original Score
Will Win: Oppy-5
Should Win: Oppenheimer
Confidence: I’m 100% Sure
And Ludwig is only 39. We all win.
Best Original Song
Will Win: Barbie
Should Win: Barbie (but the other song)
Confidence: I’m 100% Sure
After tonight, Billie Eilish will have the same number of Oscars as Robert de Niro. But for my money the Barbie song that should win is “I’m Just Ken.” Also, this might be the only win for Barbie on the night…
Best Sound
Will Win: Oppy-6
Should Win: Oppy
Confidence: I’m 100% Sure
If you didn’t get blown out of your seat during the Trinity test, you weren’t doing it right.
Best Production Design
Will Win: Poor Things
Should Win: Barbie
Confidence: Coin Toss
I guess this comes down to how much people feel bad for Barbie. If we want to give out consolation prizes, this is a good enough place, but there is a really strong love for Poor Things among the voters and I don’t know if Barbie can overtake it here. I could blow it on this one easily.
Best CINEMATOGRAPHY
Will Win: Oppy-7
Should Win: Oppy
Confidence: I’m 100% Sure
This is as much about my confidence in Hoyte van Hoytema’s work as it is about there really not being much competition this year.
Best Makeup and Hair
Will Win: Maestro
Should Win: Society of the Snow
Confidence: I’m 75% Sure
The Oscars always award the movie that does prosthetic work. Bradley Cooper’s transformation was pretty believable. However, in a just world, Society of the Snow would win the day for the way they so believably portrayed the starving survivors of the famous Andes plane crash.
Best COSTUME DESIGN
Will Win: Poor Things-2
Should Win: Poor Things
Confidence: Coin Toss
I’m scared about this one. I may be underestimating Barbie. But you know what, last year I overestimated Elvis. So this is my overcorrection.
Best FiLM eDITING
Will Win: Oppy-8
Should Win: Oppy
Confidence: I’m 100% Sure
Why the hell not?
Best Visual Effects
Will Win: Godzilla Minus One
Should Win: Godzilla Minus One
Confidence: I’m 75% Sure
But make no mistake, Kong is still king!
And Best Picture Goes To…
For the second year in a row, this is a no-doubter for me. A movie that both critics and audiences loved. A movie that became the top-grossing movie to never hit #1 both domestically and globally. A movie that put premium format theaters back on the map. Well-acted, shot, edited, written, and directed.
OPPENHEIMER (9th award of the night)
I really think about 18 picks are locks tonight, but it seems odd that only two movies (Oppenheimer and Poor Things) are taking home multiple awards. That makes me think I’ve spread the love too thin, and maybe given Barbie not enough credit.
Eh, on second thought, I’m always right. BET THE HOUSE! 23-0 LET’S GOOOO.
Thanks and see everyone next time!